Victoria’s practice connects _ design, art, architecture and research. Her practice-based research unites these multiple fields leading to new findings and observations.
The research is a visual creative experience. Charles Bonnet Syndrome visions create a fascinating world where the realm of image crosses over into the realm of perception. The research bridges this with the wonder of metaphors—illustrating one thing as another—where the ambiguity of one concept causes imaginative links creating clarity for another. This project is working with the CBS community as a team of co-creators. A methodology that presents stories, memories, and narrative.
resumé
She is currently a higher degree researcher at Queensland College of Art (QCA) Griffith University.
Research title is Form from Field: investigating the relationship between metaphor and image through Charles Bonnet Syndrome.
The research is supervised by Prof Andrew Brown, Dr Vincent Moug, and Dr Michelle Douglas and approved by the GUHR Ethics Committee (no. 2022/008).
PhD | QCA, Griffith University | Now | Interactive Design
thesis: investigating the relationship between metaphor and image through Charles Bonnet Syndrome Visions.
BA (Hons 1) | QCA, Griffith University | 2015-9 | 3D Digital Design
thesis: Memory Store: Liminal Perception Interpreted Through the South East Queensland Veranda
BA (Hons 1) | University of Queensland | 2000-7 | Architecture
thesis: The Intuitive/Nonconscious in the creative processes and the architectural experience: precedents of Louis I Kahn & Richard Serra
BA (Hons 1) | Chelsea College of Art and Design | 1995-7 | Spatial Design
thesis: Sensitivity, Balance, and Communication contrasted to Society, Community and Cultural Influences
Form from Field research website
folio
Chelsea College of Art and Design | the mid 90’
Sculptors process rather than the work: object carrying strategy: a three person group.
A collective constructed containing qualities of junctions, edges, planes: a three person group.
The way we live in a city, urban living.: starting from an abstract.
A series of built installations.
Selfridges shop windows, ‘98.
The (ab)use of everyday: the caravan redesign wet ‘n’ wild - a lovers holiday: group owrk
Drawing
Looking out. London.
Ink hatch. London
Left hand lines.
The University of Queensland + Architectural practice | the 00’s
Museum of Brisbane| King George Square
Reconfigure and redesign the MOB
Reappropriate the freeway | when the cars no longer need it.
Section of the glasshouse
Plan of the glasshouse
Architect John Price award submission
Venice Architecure Biennale: Abundant Australia Exhbition. Model for Architect Gerald Murtagh - ‘ The Inhabited Fence’
Venice Architecure Biennale: Abundant Australia Exhbition. Model for Architect Alice Hampson - ‘Fields’
Monument: Australias architecture and design publication featured a layout on the Abundent Venice Exhibition
Architect Elizabeth Watson-Brown competion entry
Archi v art
Karma
Queensland College of Art and Design | Griffith University | the 10’s
fox fan
Beach | Folly
Beach |Side + Plan view
Twisty | 3d printed object to help with opening jars
Veranda Rorschack | Movie still looking at inbetween out and in
Foldy | Furniture for that space
Foldy | she folds
Plein air | Trees
Plein air | Trees
Life | Movement
Life | Back
Life | Contours
Life | Chair
Life | Messy
Life | Sleepy